Regardless of medium, Linda thrives in creation. Whether writing a screenplay, conceiving a stage production, or inventing new ways to transform a premiere event into a piece of living art, she brings a distinct voice and imaginative force to every project. For her, creation is not confined to one form; it is a lifelong practice. Her artistic instinct allows her to move fluidly between cinema, theatre, and live events, always seeking to elevate storytelling into an act of beauty, resistance, and connection.

Linda's works have been recognized across festivals and fellowships worldwide. Her historical drama pilot The Pleasure Garden - exploring art and resistance in Fascist Italy - has been honored at prestigious script competitions like the Austin Film Festival, CineStory, and ScreenCraft. Her TV series Tentpole draws from her journals at Universal Pictures to satirize the chaos and spectacle of Hollywood premieres.
On stage, her original plays include titles like The Flag Factory and Bird of Passage, an innovative play sponsored by Bethune Theatredanse that fuses ballet, poetry, music and sculpture, and premiered at the Coronet Theatre in Hollywood.

Earlier in her career, Linda served as Vice President of Special Projects at Universal Pictures, piloting worldwide premieres and major campaigns for films such as Schindler’s List, Jurassic Park, The Bourne Identity, The Fast and the Furious, Despicable Me, Pitch Perfect, and Get Out. She also contributed to the studio’s stage musical ventures including Mamma Mia! and Wicked.

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In the theater world, Linda produced Abbott Alexander’s ground-breaking play The Long Gravel Road to critical success at Theatre West and is thrilled to be now producing Abbott’s new exciting work, Watermarks.